September 29, 2012

Kabul by Saib-e-Tabrizi


Ah! How beautiful is Kabul encircled by her arid mountains
And Rose, of the trails of thorns she envies
Her gusts of powdered soil, slightly sting my eyes
But I love her, for knowing and loving are born of this same dust

My song exhalts her dazzling tulips
And at the beauty of her trees, I blush
How sparkling the water flows from Pul-I Bastaan!
May Allah protect such beauty from the evil eye of man!

Khizr chose the path to Kabul in order to reach Paradise
For her mountains brought him close to the delights of heaven
From the fort with sprawling walls, A Dragon of protection
Each stone is there more precious than the treasure of Shayagan

Every street of Kabul is enthralling to the eye
Through the bazaars, caravans of Egypt pass
One could not count the moons that shimmer on her roofs
And the thousand splendid suns that hide behind her walls

Her laughter of mornings has the gaiety of flowers
Her nights of darkness, the reflections of lustrous hair
Her melodious nightingales, with passion sing their songs
Ardent tunes, as leaves enflamed, cascading from their throats

And I, I sing in the gardens of Jahanara, of Sharbara
And even the trumpets of heaven envy their green pastures

Photo Diary: Phantom of the Opera



Shake It Out (2011)




Shake It Out
Florence and the Machine
Ceremonials (2011)


Regrets collect like old friends
Here to relive your darkest moments
I can see no way, I can see no way
And all of the ghouls come out to play
And every demon wants his pound of flesh
But I like to keep some things to myself
I like to keep my issues drawn
It's always darkest before the dawn

And I've been a fool and I've been blind
I can never leave the past behind
I can see no way, I can see no way
I'm always dragging that horse around
And our love is pastured such a mournful sound
Tonight I'm gonna bury that horse in the ground
So I like to keep my issues drawn
But it's always darkest before the dawn

Shake it out, shake it out, shake it out, shake it out
Shake it out, shake it out, shake it out, shake it out 
And it's hard to dance with a devil on your back
So shake him off 

I am done with my graceless heart
So tonight I'm gonna cut it out and then restart
Cause I like to keep my issues drawn
It's always darkest before the dawn

Shake it out, shake it out, shake it out, shake it out
Shake it out, shake it out, shake it out, shake it out
And it's hard to dance with a devil on your back
So shake him off

And it's hard to dance with a devil on your back so shake him off
And given half the chance would I take any of it back
It's a fine romance but its left me so undone
It's always darkest before the dawn

And I'm damned if I do and I'm damned if I don't
So here's to drinks in the dark at the end of my road
And I'm ready to suffer and I'm ready to hope
It's a shot in the dark and right at my throat
  
Cause looking for heaven, found the devil in me
Looking for heaven, found the devil in me
Well what the hell I'm gonna let it happen to me

Shake it out, shake it out, shake it out, shake it out
Shake it out, shake it out, shake it out, shake it out
And it's hard to dance with a devil on your back
So shake him off

Shake it out, shake it out, shake it out, shake it out
Shake it out, shake it out, shake it out, shake it out
And it's hard to dance with a devil on your back
So shake him off.

September 3, 2012

Gotye Saves Me


SAVE ME
Gotye

In the mornings
I was anxious
It's better just to stay in bed
Didn't want to fail myself again

Running through all the options
And the endings
Were rolling out in front of me
But I couldn't choose a thread to begin

And I could not love
Coz I could not love myself
Never good enough, no
That was all I'd tell myself
And I was not well
But I could not help myself
I was giving up on living

In the morning
You were leaving
Travelling south again
And you said you were not unprepared

And all the dead ends
And disappointments
Were fading from your memory
Ready for that lonely life to end

And you gave me love
When I could not love myself
And you made me turn
From the way I saw myself
And you're patient, love
And you help me help myself
And you save me
And you save me
Yeah you save me

September 1, 2012

The September Issue


Imagine 916 pages of spectacular fall fashion for all! 

One must see the light on my face the moment I uttered those words as I embraced my copy of the September issue. With its limited release, people like me (who are seriously and sincerely into fashion), will surely have a dramatic fit if she found out that there are no more remaining copies of this fashion bible. But as a stylized/sartorial soldier that I am, I did not retreat. I loudly called for my band and marched the ground to seek for the last glimmer of hope and oh yes, right at the underground with valet parking, uniformed chauffeurs, cupcakes, yellow lights, classical music, I found it. You see, a white flag is never an option. 

Gracing the cover of this year’s US Vogue September issue, all clad in a Marc Jacobs gown and all afro, styled by Grace Coddington, is none other than Lady Gaga.


Talking about her music, the power of a message, her complete free spirit, and the rest of her being, Gaga was all stripped yet dolled up with a Stephen Jones Millinery fuchsia ostrich-and-marabou hat.


 
Aside from the sudden surge of spark brought by the Mother Monster, the magazine also kept colossal and heavenly tempting ads as if seeing showers of stars.

Alexander McQueen

Christian Dior
Vera Wang
           
Belstaff
J Mendel
Tods


The magazine does not also fall short on its feature of de caliber persons that keep my interest.

Chelsea Clinton

Florence Welch of Florence and the Machine
Raf Simons
The Social, L-R: Vanessa Traina, Jenna Courtin-Clarins, Prisca Courtin-Clarins, Virginie Courtin-Clarins, Claire Courtin-Clarins, Lauren Santo Domingo, Shala Monroque, Alexia Niedzielski, Lily Kwong, and Elizabeth von Guttman
 
This glossy spread also highlight another gem in The Editor’s Eye. “The Editor’s Eye” by Conde Nast, edited by Eve MacSweeney with an introduction by Hamish Bowles and a foreword by US Vogue editor-in-chief Anna Wintour, is a book of showmanship and a tome of glimpse into the lavish world of eight of the magazine’s visionary editors (including Babs Simpson, Polly Mellen, and Grace Coddington).  


 
And yes and lots of thanks to this issue, I have finally found my future home in Lauren Santo Domingo’s Paris duplex. With its panel-filled 18th century attention to details, a look of romantic history, and terrace, I could surely erase some fragments of house design nightmares in my head that are mainly due to growing up in a fusion of wooden rustic charms and a father office’s modern dim lights and frequent visit and stay to grandparents’ Spanish home. But with this home, I will no longer be the 21st century Maria Clara but an all adorned post-modern Antoine. I should definitely keep this book for future reference of my architects and interior designers (whoever they will be).  

Lauren Santo Domingo
Herve Van der Straeten chandelier, Michael Boyer coffee tables and Christian Sapet wavelike console
Decorated by Francois Caltroux
India Mahdavi library tables and Wilfredo Lam's L'Offrande (1950)

 "Surely, my drama was all worth it." - AC